Since the Great East Japan earthquake of 2011, Toru Komatsu has taken photos of trees in places that suffered damage from the earthquake and subsequent tsunami. Fifty of these images comprise A Distant Shore, which documents the eerily beautiful aftermath of the disaster. On his travels throughout Japan Komatsu was particularly fascinated by monumental rocky crags that seem like islands floating on the land. Mostly scattered with pine trees, the crags are landlocked but were once surrounded by the sea. Typically cordoned off by ceremonial ropes, they are today treated as holy areas embedded with the memory of their pastin Komatsu's words, I imagine that an island floating on the land still hasn't forgotten the ocean that once surrounded it, even if the sea is now many miles away. Circular cutouts placed before each square photo allow the images in the book to be experienced both as cropped circles and the full square layouts, creating a sense of peering through a peephole or a telescope from the wrong end, and transforming the photos into a setting for a dramatic play while commenting on the limits of our fields of vision.

Autorentext

Born in Miyagi in 1969, Toru Komatsu graduated from Tama Art University in 1994. Since 1992 his video and photographic work has focused on the still-life genre. Today Komatsu lives and works in Tokyo, where he is printing director at Tokyo Lightroom and a member of RED Photo Gallery, the site of his most recent solo exhibition "A Distant Shore" in 2016.