In Tap-Dancing America, accomplished dance historian Constance Valis Hill offers the first comprehensive history of this uniquely American dance form. Written with as much compelling rhythm as tap itself, her sweeping narrative, filled with poignant anecdotes of tap challenges, tackles race and gender head-on in telling the story of this beloved popular art form.

Autorentext

Constance Valis Hill is a dance historian and choreographer. She is Five College Professor of Dance at Hampshire College and the author of Tap Dancing America: A Cultural History (OUP, 2010) and Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers (Oxford University Press, 2000), winner of a 2001 ASCAP Deems-Taylor award. She has composed a chronology of tap dance for the Library of Congress in "Tap Dance in America: A Twentieth-Century Chronology of Tap Performance on Stage, Film, and Media by Constance Valis Hill," a 3,000 performance record database with 180 biographies of twentieth-century tap dancers.

Klappentext

Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover. In Tap Dancing America, Constance Valis Hill, herself an accomplished jazz tap dancer, choreographer, and performance scholar, begins with a dramatic account of a buck dance challenge between Bill "Bojangles" Robinson and Harry Swinton at Brooklyn's Bijou Theatre, on March 30, 1900, and proceeds decade by decade through the 20th century to the present day. She vividly describes tap's musical styles and steps -- from buck-and-wing and ragtime stepping at the turn of the century; jazz tapping to the rhythms of hot jazz, swing, and bebop in the '20s, '30s and '40s; to hip-hop-inflected hitting and hoofing in heels (high and low) from the 1990s right up to today. Tap was long considered "a man's game," and Hill's is the first history to highlight such outstanding female dancers as Ada Overton Walker, Kitty O'Neill, and Alice Whitman, at the turn of the 20th century, as well as the pioneering women composers of the tap renaissance, in the 70s and 80s, and the hard-hitting rhythm-tapping women of the millennium such as Chloe Arnold, Ayodele Casel, Michelle Dorrance, and Dormeshia Sumbry Edwards. Written with uncanny foresight, the book features dancers who have become international touring artists and have performed on Broadway, won Emmy and Tony Awards, and received the prestigious Dance Magazine, Adele and Fred Astaire, and Jacob's Pillow Dance awards. Presented with all the verve and grace of tap itself and drawing on eyewitness accounts of early performances as well as interviews with today's greatest tappers, Tap Dancing America fills a major gap in American dance history and places tap firmly center stage.

Inhalt

Foreword by Dianne Walker Preface Chapter 1: Trickster Gods and Rapparees (1650-1900) Chapter 2: Buck-and-Wing (Turn of the Century) Chapter 3: Over-the-Top and In-the-Trenches (Teens) Chapter 4: Simply Full of Jazz (Twenties) Chapter 5: Swing Time (Thirties) Chapter 6: Jumpin' Jive (Forties) Chapter 7: Beat, Bebop, Birth of the Cool (Fifties) Chapter 8: Tap Happenings (Sixties) Chapter 9: Nostalgia, and All That Tap (Seventies) Chapter 10: Black and Blue (Eighties) Chapter 11: Noise and Funk (Nineties) Chapter 12: Hoofing in Heels (Millennium) Notes Glossary Bibliography Index